![]() ![]() (Note that Finale may not recognize the changes without restarting the computer.
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![]() Tip: All aerofly 5 repaints work for the aerofly RC 7. Very easy for beginners if you select 4D scenery + cockpit view, everything is easy to fly while you practise manouevres and. However you may upgrade your edition at any time by purchasing an upgrade to the Professional or. vysla pipojench pomoc vhodnho interfejsu).aerofly RC 8 navazuje na velmi. User Created Content Freeware Aircraft Name of aircraftĪrthur Schönknecht and Jan-Hendrik Hanuschikįreeware Aircraft Modifications Name of modificationįreeware Aircraft Repaints Repainted aircraft This edition is a good starting into radio controlled flying. YOURStore Aerofly RC8 STANDARD (Windows) s USB ovladaem PE-IK3031050.
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![]() A year later on Christmas Eve, Jonah calls in to a radio talk show and persuades a reluctant Sam to go on the air to talk about how much he misses Maggie. The film is also credited with establishing Ephron as a celebrated romantic comedy filmmaker.Ĭhicago architect Sam Baldwin loses his wife Maggie to cancer, and he and their eight-year-old son Jonah start a new life in Seattle, but they continue to mourn. Several critics and media publications agree that Sleepless in Seattle is one of the greatest romantic comedy films of all-time. The soundtrack was also successful, peaking at number one on the Billboard 200. It was one of the highest-grossing films of 1993, and remains one of the most successful romantic comedies in box office history. Despite competition from several blockbusters released around that same summer, the film was a surprise commercial success, earning $17 million during its opening weekend (the highest opening for a romantic comedy at the time), and ultimately grossing over $227 million worldwide. The film was nominated for two Academy Awards at the 1994 ceremony: Best Original Screenplay and Best Original Song. Sleepless in Seattle was released on June 25, 1993, to positive reviews, receiving praise for Ephron's writing and direction, as well as Hanks and Ryan's performances. Several of its most pivotal scenes were filmed on a former naval base due to the city's lack of sound stages, including a recreation of the Empire State Building's observation deck when the New York skyscraper was not available. The film was shot mostly in Seattle during the summer of 1992. Although both Hanks and Ryan had been favored for the lead roles from the beginning, several other actors expressed interest in both parts, while Hanks often disagreed with Ephron over his character's material. Ward and Ephron were among several writers hired to re-write the script into a funnier film, with Ephron eventually being promoted to director once Nick Castle departed over disagreeing with her comedic approach. Foster strongly believed in the film's potential but struggled to get it made by TriStar Pictures for several years, finding its emotional script promising but unsophisticated. ![]() Arch submitted his script to producer Gary Foster in 1990. ![]() Several studios rejected his script, deterred by the idea that its main couple does not meet for nearly the entire film. Inspired by the romance film An Affair to Remember (1957), Sleepless in Seattle was conceived as a romantic drama by Arch in 1989. In addition to Bill Pullman, Ross Malinger, and Rob Reiner, the film features an ensemble supporting cast also consisting of Rosie O'Donnell, Gaby Hoffmann, Victor Garber, Rita Wilson, Barbara Garrick, and Carey Lowell. Starring Tom Hanks and Meg Ryan, the film follows a journalist (Ryan) who, despite being newly engaged, becomes enamored with a recently widowed architect (Hanks), when the latter's son calls in to a talk radio program requesting a new partner for his grieving father. Sleepless in Seattle is a 1993 American romantic comedy-drama film directed by Nora Ephron, from a screenplay she wrote with David S. ![]() ![]() ![]() We simplify this complex procedure into a single click! CCC is the only backup software that archives and clones this recovery volume. The macOS Installer creates a proprietary recovery volume on your startup disk that can be used to reinstall macOS. Keep tabs on currently running backup tasks, create a new task, or run a scheduled task. Quickly learn more about your volumes or create a Recovery HD, all while easily seeing all tasks that involve the selected disk, as well as the last time each task ran. Receive detailed information and advice on tasks that resulted in errors. Restrict the list by task name, source volume, destination volume, or run date. Quickly view when your tasks have run and if they were successful. SafetyNet is smarter than ever: if you run out of space during a backup, CCC can free up space automatically and resume your backup. You can also craft a more sophisticated backup strategy with task chaining and scheduled task groups.Ĭreate a bootable clone of your hard drive, but also keep copies of your recently deleted and changed files - just in case. You can tell CCC to back up only on weekdays, weekends, or only during certain times of day. It couldn’t be easier - configure your email account settings once and use them across multiple tasks!ĬCC can back up your data hourly, daily, weekly, monthly, or whenever you connect to your backup drive. In addition to keeping you posted with the macOS Notification Center, CCC can email you the results of your backup tasks. Tasks can also be sorted by name, exit status, last run date, next run date, or manually. Run a group of tasks with a single click, or schedule a group all at once. CCC is the only bootable backup solution that has full support for snapshots on Apple’s new APFS filesystem.Ĭollect your tasks into groups to visually organize them. Restore files you accidentally deleted, or turn back the clock on your whole computer. Update only the files that have been added or modified.Ĭreate a backup on your external drive, or back up your files to another Macintosh.īring back files that you thought you’d lost forever! CCC can capture all your files exactly as they are in a moment in time. Troubleshoot the problem disk when you have time to spare. When disaster strikes your hard disk, you can boot from your backup and keep working. The first bootable backup solution that works with Apple’s new APFS filesystem. You can find release notes for this version here: ![]() ![]() ![]() These proteins are bi-directional membrane channels which transport water, but they are not ion channels because the H 2O is transported as an uncharged molecule and not as an ion. Īquaporins are a unique class of transporter. The SLC superfamily comprises 55 gene families, having at least 362 putatively functional protein-coding genes. Many of these transporters belong to the solute-carrier (SLC) gene superfamily, and include passive transporters, sym-porters and antiporters, as well as mitochondrial and vesicular transporters. Transporters move molecules at only about 10 2-10 4 sec -1, a rate much slower than that associated with channel proteins. Transporters facilitate the movement of a specific substrate - either with or against its concentration gradient - and the conformational change in the transporter protein is important in this transfer process. More than 400 genes are known to encode ion channel subunits. Cationic and anionic substrates are transferred down their electrochemical gradients at extremely high efficiencies (as much as 10 8 sec -1). Ion channels usually occur in the closed state. As such, they regulate the cell's electric potential by allowing the flow of ions down their electrochemical gradient. Ion channels are pore-forming membrane proteins that help to establish and maintain small-voltage gradients across plasma membrane surfaces of all living cells. If the intracellular net charge following transport becomes more negative, the process is termed electronegative if the intracellular net charge becomes more positive, the process is called electropositive if the resulting intracellular net charge remains unchanged, the process is termed electroneutral. When the transported molecule and cotransported ion move in the same direction across a membrane, the transporter is called a symporter when they move in opposite directions, the transporter is called an antiporter (or exchanger). Like ATP pumps, cotransporters mediate coupled reactions in which an energetically unfavourable reaction is coupled to an energetically favourable reaction. By contrast, active transporters (or cotransporters) couple the movement of one type of ion or molecule against its concentration gradient, to the movement of another ion or molecule down its concentration gradient. Passive transporters (also called uni-porters or facilitative transporters) transport substrates down a concentration gradient. Membrane transport proteins can be either passive or active. Movement of ions or other molecules into the cell is called influx movement of ions or other molecules out of the cell is termed efflux. The portion of the cell exposed to the lumen is called the apical surface the rest of the cell (ie sides and base) makes up the basolateral surface. Transporters in eukaryotic cells move ions, sugars, amino acids and other molecules across all cellular and organelle membranes (cell surface, mitochondrial, endoplasmic reticulum, Golgi apparatus and other vesicles) - with the possible exception of nuclear membranes (which have pores). Genes from all four categories are ancient - with members present in most, if not all, prokaryotes, as well as in virtually all cell types of all eukaryotes. Membrane transport proteins can be divided into four types: ion channels transporters aquaporins and ATP-powered pumps. ABC transporters also participate in the movement of most drugs and their metabolites across cell surface and cellular organelle membranes thus, defects in these genes can be important in terms of cancer therapy, pharmacokinetics and innumerable pharmacogenetic disorders. That ABC genes are important is underscored by the fact that mutations in at least I I of these genes are already known to cause severe inherited diseases (eg cystic fibrosis and X-linked adrenoleukodystrophy ). The human genome contains 49 ABC genes, arranged in eight subfamilies and named via divergent evolution. ABC proteins transport a number of endogenous substrates, including inorganic anions, metal ions, peptides, amino acids, sugars and a large number of hydrophobic compounds and metabolites across the plasma membrane, and also across intracellular membranes. In mammals, ABC transporters are expressed predominantly in the liver, intestine, blood-brain barrier, blood-testis barrier, placenta and kidney. These pumps can move substrates in (influx) or out (efflux) of cells. ABC transporters are ubiquitous membrane-bound proteins, present in all prokaryotes, as well as plants, fungi, yeast and animals. ATP-binding cassette (ABC) transporters are an example of ATP-dependent pumps. There exist four fundamentally different classes of membrane-bound transport proteins: ion channels transporters aquaporins and ATP-powered pumps. ![]() ![]() ![]() ![]() But those in rural and red areas have far fewer resources - affirming sources of healthcare, community organizations, social support, and other vital services. Trans folks in both rural and urban communities experience discrimination and deep lack of access to resources. So what does this mean? It means that if we want to take care of LGBTQ people, we need to recognize the unique needs of those living in rural, and often politically red, parts of the US. The Census Bureau defines " rural" as any population, housing, or territory NOT in an urban area, and an " urban area" as a continuously built-up area with a population of 50,000 or more. The largest numbers of trans adults live in the US South, and about ⅔ of the South is rural. Estimates of trans people living in rural communities range from 16-29%. About 54% of trans people live in majority rural states, which means that some folks will live in suburban or cities within these states, and some will live in the rural parts. We know that most LGBTQ people live in rural or red areas, but the exact number of trans people living in rural communities is not fully understood. More than half of trans people (54%) in the US live in majority rural states. Yes gurl, in the red parts of the US map. They found that the majority (63%) of LGBTQ Americans live in the US South, Midwest, and Mountain regions. In 2019, the Williams Institute of the UCLA School of Law published an important report about the demographics of LGBTQ Americans. But more and more, queer and trans folks are staying put in their own communities. Many of us grew up watching Queer as Folk and the L Word, and just a generation or more ago, it was common for queer people to move away from their hometowns to find likeminded communities. When you tell yourself what Toni Morrison says: “You are not the work you do you are the person you are.” And when you hum along to what Abigail Bengson sings: “The world needs you more than it needs what you do.When we think of queer life, we often think of metropolitan areas like New York and LA, or progressive places like Portland, Seattle, and Oakland. When you make and take up sacred space that is distinctly separate from your job. You are at your strongest when you center your own wholeness. When you hold a deep love for BIPOC people in the center of all that you do, even when loving BIPOC people means the institution hates you. When you resist the structures that seek to quiet your inner voice and make you doubt your own spirit. You are bold when you listen to your gut and follow your instincts. There is real generational meaning and purpose in the work you are doing. On their behalf, let me tell you that your existence matters immensely to the young people in your care. Many more students fondly and silently carry your lessons with them. Some of those students come back later and let you know how much you meant to them. Your students grow up and move on to higher grades and forever remember your influence. You make an immeasurable impact just by showing up and being you. What happens from there is out of your capable hands. You derive your own sense of accomplishment from that which you can control, and make it your goal to speak your truth so that it is spoken. White supremacy is going to do what white supremacy is going to do. This failing is not a reflection on you, your work ethic, or your ability. At times, or all the time, the institution fails to act, respond, prepare, and strategize around racial justice. You are most powerful when you define your own success. You’ve got me and 4000 ancestors on your side. When your students see you, even if just through a window or a door, they know they are not alone. ![]() You are graceful when you stretch yourself to connect with BIPOC students while navigating your own workplace isolation. Like running into a dragon’s mouth to light a match, you place yourself in the crosshairs of white supremacy every day with the radical hope that change can be stoked anywhere. You are brilliant when you challenge the systems that seek to destroy us. ![]() ![]() ![]() When a nameless peripheral character has her jaw torn from her face, the visual is qualitatively gross, but the cheap effects on display are campy, not horrifying. ![]() The Mist’s grotesqueries fail to shock beyond their graphic distaste, mostly because they aren’t lifelike enough to be truly disturbing. The officers’ actions here are unrealistic and inexplicable, beyond serving to parallel current events: Bryan is black, and when the police subdue and cuff him, the resulting image clumsily evokes #BlackLivesMatter. When Bryan, the soldier from the forest, arrives at the police station and hysterically warns officers of the incoming mist, he’s cuffed and thrown into a cell. A police officer is killed when he lingers in the mist to take a selfie, in a scene that would likely elicit snarky laughter in a theater. They venture outdoors when they should plainly stay put, and baselessly ignore warnings any sound person would heed. The Mist’s horror elements are as trite as its human drama, with characters dying by the familiar dictates of the show’s chosen genre. That wickedness, though, is a mission statement in the series. The novella slowly eroded the façade of civility between its characters, and treated the wickedness of humanity as something to reveal. The fact of Alex’s assault adds little gravity to a story already concerned with the darkest elements of human nature, but The Mist unfolds as though we’ll be surprised to learn that humans are capable of cruelty. Her mother, Eve (Alyssa Sutherland), forbade her from going to the party, but her father, Kevin (Morgan Spector), secretly allowed her to sneak out. The Copeland family is traumatized when the teenage Alex (Gus Birney) is sexually assaulted at a party. The Mist broadens the scope of the novella by adding a tragedy that precedes the arrival of the mist. It’s the first of many clichés in a story packed with one-dimensional characters that behave predictably and speak in platitudes. The pilot episode’s first shot is cribbed from shows like The Walking Dead and Lost, and films like Danny Boyle’s 28 Days Later. Even when it diverts from the original narrative (and it does so significantly), the results are rarely fresh. The series does little to innovate in its presentation though, a fact exacerbated by uninspired storytelling and stock filmmaking. Unoriginality is, in one regard, an unavoidable symptom of adaptation. Of course, that feeling is in part a result of King’s story having already been adapted by Frank Darabont in 2007. This scene doesn’t appear in the novella but nonetheless feels derivative, and the feeling of watching it unfold is informed not by dread, but rather a disappointing sense of recognition. As the man dramatically attempts to resist panicking, those familiar with the source material are likely to experience the triggering of an internal alarm, one unrelated to series creator Christian Torpe’s intentions. A dense fog, hiding mysterious and deadly creatures, envelops the bucolic Maine setting. Spike TV’s adaptation of Steven King’s 1980 novella The Mist opens with an overhead shot of a soldier (Okezie Morro) on a forest floor, jarred from sleep by the barking of a nearby dog. ![]() ![]() ![]() Shō gives Arrietty a sugar cube and tells her that she will always be a part of him and that her courage and the Borrowers' fight for survival have made him want to live through the operation. Thereupon Niya leads Shō to the "river", a small rivulet, where the Borrowers are waiting for Spiller to take them further. On their way out during the night, the Borrowers are spotted by the cat Niya. Arrietty comes to Shō for help they rescue Homily and he destroys all traces of the Borrowers’ presence. ![]() Haru locks him in and calls a pest control company to capture the other Borrowers alive. Saddened by her departure, Shō returns to his room. Alerted by her mother's screams, Arrietty goes to investigate. She unearths the Borrowers' house and captures Homily. Haru notices the floorboards have been disturbed. He is accepting, saying that every living thing dies. The operation does not have a good chance of success. Shō apologises that he has forced them to move out and reveals he has had a heart condition since birth and will have an operation in a few days. Pod recovers and Arrietty bids farewell to Shō. However, the Borrowers are frightened by this and speed up their moving process. Shō removes the floorboard concealing the Borrower household and replaces their kitchen with the kitchen from the dollhouse to show he hopes them to stay. Pod returns injured from a borrowing mission and is helped home by Spiller, a survivalist boy he met. Shō learns from Sadako that some of his ancestors had noticed the presence of Borrowers in the house and had the dollhouse built for them. Realizing they have been detected, Pod and his wife Homily decide they must move out. On her return home, Arrietty is intercepted by her father. ![]() The crow attacks Arrietty but Shō saves her. Without showing herself, she tells him to leave her family alone but they soon have a conversation, which is interrupted by the crow. Nevertheless, she sneaks out to visit Shō in his bedroom. Pod warns her not to take it because their existence must be kept secret from humans. The next day, Shō puts the sugar cube and a little note beside the air vent. Shō tries to comfort her but Pod and Arrietty leave. It is Shō's bedroom he sees Arrietty when she tries to take a tissue from his table. After obtaining a sugar cube from the kitchen, they travel to a bedroom which they enter through a dollhouse. When Shō arrives, he gets a glimpse of Arrietty, a Borrower girl, returning to her home through an underground air vent.Īt night, Arrietty's father, Pod, takes her on her first "borrowing" mission, to get sugar and tissue paper. Two English-language versions of the film were produced, a British dub released in the United Kingdom on Jby Optimum Releasing and an American dub released in North America on Februby Walt Disney Pictures.Ī boy named Shō remembers the week in summer he spent at his mother's home with his maternal great aunt, Sadako, and the housemaid, Haru. The film also won the Animation of the Year award at the 34th Japan Academy Prize award ceremony. It became the highest-grossing Japanese film at the Japanese box office for the year 2010, and grossed over $145 million worldwide. The film was released in Japan on July 17, 2010, by Toho, and received positive reviews from critics, who praised its animation and music. This film marks the cinematic debut of Hiromasa Yonebayashi, as well as the British dub marking the cinematic debut of Tom Holland. The voice actors were approached in April 2010, and Cécile Corbel wrote the film's score as well as its theme song. Miyazaki supervised the production as a developing planner. Ghibli announced the film in late 2009 with Yonebayashi making his directorial debut. The film stars the voices of Mirai Shida, Ryunosuke Kamiki, Shinobu Otake, Keiko Takeshita, Tatsuya Fujiwara, Tomokazu Miura, and Kirin Kiki, and tells the story of a young Borrower (Shida) befriending a human boy (Kamiki), while trying to avoid being detected by the other humans. The screenplay by Hayao Miyazaki and Keiko Niwa, was based on the 1952 novel The Borrowers by Mary Norton, an English author of children's books, about a family of tiny people who live secretly in the walls and floors of a typical household, borrowing items from humans to survive. Arrietty, titled Arrietty the Borrower ( Japanese: 借りぐらしのアリエッティ, Hepburn: Karigurashi no Arietty) in Japan and The Secret World of Arrietty in North America, is a 2010 Japanese animated fantasy film directed by Hiromasa Yonebayashi as his feature film debut as a director, animated by Studio Ghibli for the Nippon Television Network, Dentsu, Hakuhodo DY Media Partners, Walt Disney Japan, Mitsubishi, Toho and Wild Bunch. ![]() ![]() ![]() DockATot Deluxe (0-9 Months) in Rockford, IL.Norton Security Deluxe 3.0 (1 User / 5 Devices) (Dutch)Filters StarTech Extern docking station voor uw 2,5 of 3,5 inch SATA III 6 Gbps harde schijven - eSATA of USB 3.0 met UASP. “Handy multifunctional Swedish design offers a comfy and safe spot for supervised activities like diaper changes, tummy time, playing, and lounging.” Retourdeals: tot 15% voordeliger* Speelgoed aanbiedingen. “The DockATot Deluxe+ Dock is the ultimate docking station for newborns and babies up to 8 months,” the description of the product now reads.Valid on items labeled PROMOTION ELIGIBLE. 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